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『パット・マルティーノ〜両極端の研究』が何度もグラミー賞を獲得してきた、ジャズの伝説であるパット・マルティーノの思考体系をお届けします。協和と不協和。明と暗。パットによる深みのある両極端の学習が、あなたの中に眠る潜在的な力を解き放ち、必然的に既成概念を永遠に逆転させます。

パット・マルティーノ独自のサウンドは、ギターへの個性的なアプローチの結果であり、ギターの複雑さは、断固とした親密さと開放感の両方を聴くものへと届けます。

彼の楽器に対するアプローチは、即興における最も先進的な原理のいくつかを世に送り出すという、彼自身の情熱を物語るだけでなく、再現や複製の難しいジャズギター演奏の基準さえ作り上げています。

TAGA Publishingsの『パット・マルティーノ〜両極端の研究〜」は、天才パットの作品に対する包括的な精査に他なりません。

あなたの潜在的な力を発揮し、時間を無駄にするような失敗から救い出してくれる英雄がここに。純粋なる知恵の集積を提供する伝説のアーティストから、適切な指導を受けましょう。

あなたの脳と技能を永続的に再構築し、さらに、即興分野での新たな領域の探索さえも可能にするギター演奏の”概念的な激変”をご体験ください。

『パット・マルティーノ〜両極端の研究』には、膨大な数の無料PDF、図式、最先端の学習教材が付随し、さらに、3つの角度から撮影した高品質のカメラフォーマットが組み込まれています。

本コースは最新のサウンドスライス技術にも対応しているので、素材や無数の無料PDF/原稿などを使いつつ、タブや表記を再生、繰り返し再生、スローダウンすることができます。

パットの教えに従い、ギターの演奏に劇的な変化をもたらしましょう。

日本語字幕:Shota Aoyama

Course Curriculum

1. Introduction
1.1 Introduction by Pat Martino 00:01:10
2. Decoding the Matrix
2.1 Introducing Fingering Points 00:00:59
2.2 Lower and Upper Areas of Activity 00:02:30
2.3 Coupling Fingering Points 00:01:15
2.4 Decoding the Matrix Recap 00:01:13
2.5 Chromatic Stairways: Connecting Fingering Points 00:01:09
3. Piano vs Guitar
3.1 The Nature of the Piano 00:01:23
3.2 The Two Automatic Functions of the Guitar 00:02:05
3.3 A Mathematical Approach 00:00:46
4. The First Automatic Function
4.1 Descent: Deriving Major Triads 00:00:58
4.2 Ascent: Deriving Minor Triads 00:01:28
4.3 Deriving Triads Recap 00:00:56
4.4 Twelve Keys 00:01:37
4.5 Triad Inversions: Horizontal Movement (String Group 3 2 1) 00:01:05
4.6 Triad Inversions: Vertical Movement 00:01:28
4.7 Adjacent Triad Inversions 00:00:50
4.8 Non-Adjacent Triad Inversions (String Group 6 4 3) 00:00:46
4.9 Demonstration of Non-Adjacent Triads 00:00:53
4.10 String Groups 5 3 2 and 4 2 1 00:01:04
5. The Second Automatic Function
5.1 Descent: 7th Chords 00:02:15
5.2 7th Chord Inversions: Horizontal Movement (String Group 6 5 4 3) 00:01:02
5.3 7th Chord Inversions: Other String Groups 00:02:07
5.4 Accommodating for the 2nd and 3rd Strings (Transferring Chord Shapes) 00:05:36
5.5 7th and Diminished Inversions: Non-Adjacent 00:01:58
5.6 Ascent: Deriving m7b5 Chords 00:02:20
5.7 Summing Up the Automatic Functions 00:00:38
5.8 Expanding Further 00:01:02
6. The Tritone and its Division of the Twelve-Tone Scale
6.1 Dividing Twelve Notes Into Six 00:03:03
6.2 Consonant Cluster 00:02:10
6.3 Dissonant Cluster 00:01:42
6.4 Conceptualizing Multiple Substitutions 00:01:08
6.5 Applying Multiple Substitutions 00:00:57
6.6 Concluding Multiple Substitutions 00:00:53
7. Tunes
7.1 Introduction to Tunes 00:01:02
7.2 Round Midnight 00:06:34
7.3 Alone Together 00:04:44
7.4 Remembered 00:04:20
7.5 Sun on My Hands 00:08:25
7.6 Thanks for Watching 00:00:14

Course Reviews

4.5

4.5
10 ratings
  • 5 stars6
  • 4 stars3
  • 3 stars1
  • 2 stars0
  • 1 stars0
  1. Reggie Michaels

    5

    Interesting to hear about Pat’s approach to improvisation. There’s a lot of information to digest, but his systematic approach is easy to follow. Great if you feel stuck playing the same licks over and over again.

  2. Sofia Wagenknecht

    4

    I was expecting to learn more of Pat’s signature lines, but Pat really teaches about music and the guitar in general, which is really great too! He goes really deep with some topics and gives you more of a vehicle to use for improvisation. I was always a big fan of Pat Martino and enjoyed the tunes he played at the end. I whish some of them could have been more uptempo, but i still enjoyed it!

  3. Patrick Willink

    5

    Pat Martino always has been such an inspiration for me! He is not really teaching you his signature lines, but he is teaching you more of his mindset on how to approach the instrument. This is actually the course i needed years ago. Great job!

  4. Jonas Kramer

    5

    VERY ADVANCED COURSE, BUT SUPER INTERESTING! LOVE TO HEAR PATS IDEAS ON MUSIC, THANKS A LOT!

  5. Rebecca Levin

    5

    Pat says in this course that he’s going to approach the guitar like a machine. His approach is very intellectual and academic and might not be for everyone. Having said that, the pieces are beautiful, although I don’t really care for the synth backing sound he uses. The transcriptions are absolutely superb though. Top marks for that.

  6. Dima Kuznetsov

    4

    I am enjoying this course a lot, but I will need some time to digest all of the information that Pat presents in this course of jazz guitar.

  7. Jose Maria del Amo

    5

    Great course from a truly unique living legend.

  8. Marc Deluca

    4

    Although Pat’s playing is a litle sloppy occasionally during the examples, these lessons are well worth it. I still enjoyed Pat’s explanations as to how he views the Guitar. It was nice to get in his head a bit.

  9. Edward Rosen

    3

    The Inner and outer fingering points section was very interesting. Some of these lessons are beyond my current understanding of the guitar so I really wish that he would have explained a little more.

  10. Manoj Kumar

    5

    LOVED IT! THANKS PAT!!!

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