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スティング、ディアンジェロ、メアリー・J・ブライジ、スティーヴン・タイラー、ジョン・メイヤー、チャカ・カーン、ジル・スコット、ダイアナ・クラール、デイブマシューズバンドなど、世界的に有名なアーティストとコラボレーションするベテランのプレイヤーに囲まれてみましょう。

TAGA Publishingの『マーク・ホワイトフィールド〜Land The Job〜』には、マークに蓄積された知恵、音楽的見解、影響力が盛り込まれおり、彼の成功を支えた6つの秘密を明らかにします。

実践的な知識を身につけ、マークを構成する要素に触れ、これを活用することで、次回のセッションで永遠に心に響き続ける印象を残し、観衆の心を虜にしましょう。

『マーク・ホワイトフィールド〜Land The Job〜』を最新のサウンドスライス技術でご体験ください。これにより、素材を使いながらタブや楽譜を演奏、ループ、またはスローダウンすることができます。

サウンドスライス技術に加えて、このマスタークラスには、数々の無料PDF、高品質のカメラフォーマット3種類、そして学習教材が付帯しています。

マーク・ホワイトフィールドがディアンジェロとのレコーディングからどのような教訓を得て、カーメン・マクレエをはじめとする数え切れない人々との共演からどのような知見を獲得したのか…その全貌を探りましょう。

マークのカバーするトピックは以下の通りです。
フレディー・グリーン、ジョージ・ベンソン、ジョー・パス、ケニー・バレルの影響
極上の時間や感覚の開発
歌のイントロをその場で作成
歌手やアーティストが快適にパフォーマンスに集中できるよう演出
簡潔さを維持し音楽的な柔軟性を確保
自信を構築し、経験から学ぶことでポジティブな姿勢を持ったパフォーマンスを実現
バンドとリズムを調和する方法

TAGA Publishingのお届けするマスタークラスが、音楽のシステムを一度リセットし、あなたの望むプロフェッショナルプレーヤーへの進化をサポートいたします。

Course Curriculum

1. Introduction
1.1 Playing Introduction by Mark Whitfield 00:01:14
1.2 Welcome to This Course 00:00:48
2. The Essence of Time
2.1 The Eminent Freddie Green 00:01:41
2.2 Illustrating Freddie Green: 12-Bar Blues 00:02:14
2.3 Having a Musical Impact: Voice Leading 00:02:18
2.4 George Benson on Freddie Green 00:01:13
2.5 Freddie Green Right Hand Technique 00:03:14
2.6 The Influence of Freddie Green’s Style 00:00:53
3. Accompanying a Vocalist
3.1 Color: Considering Tensions 00:01:21
3.2 Channeling Joe Pass: Accompanying Carmen McRae 00:06:28
4. Comping Like Kenny
4.1 Kenny Burrell’s Playing 00:01:44
4.2 Comping Accordingly 00:00:50
4.3 Kenny Burrell with Jimmy Smith: Rhythm Section Prowess 00:01:49
4.4 Leaving Your Legacy 00:02:16
5. Tales of the Legends
5.1 Getting Schooled by Joe Pass 00:04:21
5.2 Wes’ Comping 00:04:10
5.3 A Night Out with George Benson 00:02:33
5.4 You Can’t Lose the Blues 00:02:07
6. Personal Style and How to Comp Better
6.1 Play What You Want to Hear 00:02:02
6.2 Mark’s Percussive Comping example 00:01:13
6.3 Getting Called Out by Jack McDuff 00:00:30
6.4 Stop Playin’ Those Banjo Chords! 00:03:06
6.5 Examples of “Banjo Chords” and How to Not Play Them 00:00:48
6.6 Avoiding “Banjo Chords” example 2 00:01:26
7. New Vocabulary and Learning to Grow
7.1 An Unfamiliar Stage: Getting the Call to Record for D’Angelo 00:04:51
7.2 Knowing Your Role and Adapting to the Situation 00:02:24
7.3 Creating a New Vocabulary with What You Know 00:01:57
7.4 Take Your Time, Let it Feel Good 00:01:09
7.5 Taking Inspiration from Ernie Isley 00:01:47
7.6 Incorporating Effects 00:02:29
7.7 Looking Back 00:03:17
8. Playing in Non-Jazz Settings
8.1 Lessons Learned Playing with Sting 00:01:48
8.2 Message in a Bottle example 00:00:28
8.3 Discipline: Not Losing Sight of the Role of Your Instrument 00:00:59
8.4 Staying Humble 00:01:39
8.5 The Responsibility of Delivering a Melody 00:02:28
9. A Collective Expression of the Groove
9.1 Holding Down a D9 All Night with Fred Wesley 00:04:17
9.2 Playing with Stevie: A Collective Expression of the Groove 00:03:55
9.3 A Little Room for Personality 00:01:49
10. Musical Musings and Some Final Thoughts
10.1 Open String Improvisation 00:01:58
10.2 I Shot the Sheriff 00:00:53
10.3 Bill Withers example 00:00:21
10.4 Auto-Wah Riffs and R&B Comping 00:01:26
10.5 Conclusion 00:01:15

Course Reviews

4.2

4.2
9 ratings
  • 5 stars4
  • 4 stars3
  • 3 stars2
  • 2 stars0
  • 1 stars0
  1. Joanne Heimer

    5

    Wow, Mark has a lot of energy and passion! His stories were very interesting to listen to and playing really elevated me!

  2. Castor Sanchez

    3

    mark whitfield used to be my favorite smooth jazz player! This course is more of a seminar or masterclass though. Mark is not really showing and explaining his lines, that would have been great.

  3. Robert Peterson

    4

    Very intersting pieces of wisdom and i think you need to be at a certain level to really “get” the message. I whish Mark would have demonstrated more of his jazzy lines. The transcriptions are very good though and the looping function really helps.

  4. Jasper Frandsen

    4

    Mark is talking a lot in the videos. His stories about playing with Sting, Stevie Wonder, Carmen McRae and so on, are interesting (and amusing) for sure, but once you’ve heard them, you’ve heard them… There is some great playing though and he is giving a good overview of comping for different styles. I guess I would have liked a little less talking and a bit more playing, which is why I’m not giving it a full 5 stars… The transcriptions are great though and the soundslice thing is making everything super clear for learning.

  5. Yannis Xanthopoulos

    5

    I liked Mark’s stories 🙂 Seems like the guy has met or played with everyone! Good advice for us jazz guitarists and some very cool playing.

  6. Morgan Hampton

    5

    Man this cat can GROOVE!!! Killer!!!!

  7. Jonathan Rosenberg

    3

    Way too much talking and not enough playing. As he says in his own words, “he likes to drop names” and he does it very often. I wish that he would have taught more and talked less. Still was enjoyable though.

  8. Tal Ryan

    5

    Mark is great!

  9. Lauren Cardiff

    4

    There are no solos in this course but it is good if you want to learn rhyhtm playing in different styles!

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