スティング、ディアンジェロ、メアリー・J・ブライジ、スティーヴン・タイラー、ジョン・メイヤー、チャカ・カーン、ジル・スコット、ダイアナ・クラール、デイブマシューズバンドなど、世界的に有名なアーティストとコラボレーションするベテランのプレイヤーに囲まれてみましょう。
TAGA Publishingの『マーク・ホワイトフィールド〜Land The Job〜』には、マークに蓄積された知恵、音楽的見解、影響力が盛り込まれおり、彼の成功を支えた6つの秘密を明らかにします。
実践的な知識を身につけ、マークを構成する要素に触れ、これを活用することで、次回のセッションで永遠に心に響き続ける印象を残し、観衆の心を虜にしましょう。
『マーク・ホワイトフィールド〜Land The Job〜』を最新のサウンドスライス技術でご体験ください。これにより、素材を使いながらタブや楽譜を演奏、ループ、またはスローダウンすることができます。
サウンドスライス技術に加えて、このマスタークラスには、数々の無料PDF、高品質のカメラフォーマット3種類、そして学習教材が付帯しています。
マーク・ホワイトフィールドがディアンジェロとのレコーディングからどのような教訓を得て、カーメン・マクレエをはじめとする数え切れない人々との共演からどのような知見を獲得したのか…その全貌を探りましょう。
マークのカバーするトピックは以下の通りです。
フレディー・グリーン、ジョージ・ベンソン、ジョー・パス、ケニー・バレルの影響
極上の時間や感覚の開発
歌のイントロをその場で作成
歌手やアーティストが快適にパフォーマンスに集中できるよう演出
簡潔さを維持し音楽的な柔軟性を確保
自信を構築し、経験から学ぶことでポジティブな姿勢を持ったパフォーマンスを実現
バンドとリズムを調和する方法
TAGA Publishingのお届けするマスタークラスが、音楽のシステムを一度リセットし、あなたの望むプロフェッショナルプレーヤーへの進化をサポートいたします。
Course Curriculum
1. Introduction | |||
1.1 Playing Introduction by Mark Whitfield | 00:01:14 | ||
1.2 Welcome to This Course | 00:00:48 | ||
2. The Essence of Time | |||
2.1 The Eminent Freddie Green | 00:01:41 | ||
2.2 Illustrating Freddie Green: 12-Bar Blues | 00:02:14 | ||
2.3 Having a Musical Impact: Voice Leading | 00:02:18 | ||
2.4 George Benson on Freddie Green | 00:01:13 | ||
2.5 Freddie Green Right Hand Technique | 00:03:14 | ||
2.6 The Influence of Freddie Green’s Style | 00:00:53 | ||
3. Accompanying a Vocalist | |||
3.1 Color: Considering Tensions | 00:01:21 | ||
3.2 Channeling Joe Pass: Accompanying Carmen McRae | 00:06:28 | ||
4. Comping Like Kenny | |||
4.1 Kenny Burrell’s Playing | 00:01:44 | ||
4.2 Comping Accordingly | 00:00:50 | ||
4.3 Kenny Burrell with Jimmy Smith: Rhythm Section Prowess | 00:01:49 | ||
4.4 Leaving Your Legacy | 00:02:16 | ||
5. Tales of the Legends | |||
5.1 Getting Schooled by Joe Pass | 00:04:21 | ||
5.2 Wes’ Comping | 00:04:10 | ||
5.3 A Night Out with George Benson | 00:02:33 | ||
5.4 You Can’t Lose the Blues | 00:02:07 | ||
6. Personal Style and How to Comp Better | |||
6.1 Play What You Want to Hear | 00:02:02 | ||
6.2 Mark’s Percussive Comping example | 00:01:13 | ||
6.3 Getting Called Out by Jack McDuff | 00:00:30 | ||
6.4 Stop Playin’ Those Banjo Chords! | 00:03:06 | ||
6.5 Examples of “Banjo Chords” and How to Not Play Them | 00:00:48 | ||
6.6 Avoiding “Banjo Chords” example 2 | 00:01:26 | ||
7. New Vocabulary and Learning to Grow | |||
7.1 An Unfamiliar Stage: Getting the Call to Record for D’Angelo | 00:04:51 | ||
7.2 Knowing Your Role and Adapting to the Situation | 00:02:24 | ||
7.3 Creating a New Vocabulary with What You Know | 00:01:57 | ||
7.4 Take Your Time, Let it Feel Good | 00:01:09 | ||
7.5 Taking Inspiration from Ernie Isley | 00:01:47 | ||
7.6 Incorporating Effects | 00:02:29 | ||
7.7 Looking Back | 00:03:17 | ||
8. Playing in Non-Jazz Settings | |||
8.1 Lessons Learned Playing with Sting | 00:01:48 | ||
8.2 Message in a Bottle example | 00:00:28 | ||
8.3 Discipline: Not Losing Sight of the Role of Your Instrument | 00:00:59 | ||
8.4 Staying Humble | 00:01:39 | ||
8.5 The Responsibility of Delivering a Melody | 00:02:28 | ||
9. A Collective Expression of the Groove | |||
9.1 Holding Down a D9 All Night with Fred Wesley | 00:04:17 | ||
9.2 Playing with Stevie: A Collective Expression of the Groove | 00:03:55 | ||
9.3 A Little Room for Personality | 00:01:49 | ||
10. Musical Musings and Some Final Thoughts | |||
10.1 Open String Improvisation | 00:01:58 | ||
10.2 I Shot the Sheriff | 00:00:53 | ||
10.3 Bill Withers example | 00:00:21 | ||
10.4 Auto-Wah Riffs and R&B Comping | 00:01:26 | ||
10.5 Conclusion | 00:01:15 |
Joanne Heimer
Wow, Mark has a lot of energy and passion! His stories were very interesting to listen to and playing really elevated me!
Castor Sanchez
mark whitfield used to be my favorite smooth jazz player! This course is more of a seminar or masterclass though. Mark is not really showing and explaining his lines, that would have been great.
Robert Peterson
Very intersting pieces of wisdom and i think you need to be at a certain level to really “get” the message. I whish Mark would have demonstrated more of his jazzy lines. The transcriptions are very good though and the looping function really helps.
Jasper Frandsen
Mark is talking a lot in the videos. His stories about playing with Sting, Stevie Wonder, Carmen McRae and so on, are interesting (and amusing) for sure, but once you’ve heard them, you’ve heard them… There is some great playing though and he is giving a good overview of comping for different styles. I guess I would have liked a little less talking and a bit more playing, which is why I’m not giving it a full 5 stars… The transcriptions are great though and the soundslice thing is making everything super clear for learning.
Yannis Xanthopoulos
I liked Mark’s stories 🙂 Seems like the guy has met or played with everyone! Good advice for us jazz guitarists and some very cool playing.
Morgan Hampton
Man this cat can GROOVE!!! Killer!!!!
Jonathan Rosenberg
Way too much talking and not enough playing. As he says in his own words, “he likes to drop names” and he does it very often. I wish that he would have taught more and talked less. Still was enjoyable though.
Tal Ryan
Mark is great!
Lauren Cardiff
There are no solos in this course but it is good if you want to learn rhyhtm playing in different styles!