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日本語字幕：Shota Aoyama
Course Curriculum
| 1. Introduction | |||
| 1.1 Playing Introduction by Larry Coryell | 00:01:28 | ||
| 1.2 Welcome to “Blues and Beyond” | 00:00:19 | ||
| 2. Basic Blues | |||
| 2.1 Basic Blues Introduction (9th chord) | 00:00:29 | ||
| 2.2 Basic I-IV-V Blues | 00:00:39 | ||
| 2.3 Basic I-IV-V Blues with harmonic movement | 00:01:24 | ||
| 3. Getting to the IV Chord | |||
| 3.1 Other ways to get into the IV chord example 1 (ii-V of IV) | 00:00:39 | ||
| 3.2 Other Ways to Get into the IV Chord Example 2 (Tritone Substitution) | 00:00:26 | ||
| 3.3 Other Ways to Get into the IV Chord Example 3 (ii – V Tritone Substitution) | 00:00:39 | ||
| 4. Jazz Blues | |||
| 4.1 Basic Jazz Blues | 00:00:17 | ||
| 5. Pentatonic Improvisation | |||
| 5.1 Pentatonic Scale/Pentatonic Improvisation 1 | 00:00:51 | ||
| 5.2 Pentatonic Improvisation 2 | 00:00:18 | ||
| 5.3 Pentatonic Improvisation 3 | 00:00:21 | ||
| 5.4 Pentatonic Improvisation 4 | 00:00:22 | ||
| 6. Charlie "Bird" Parker Concept Improvisation | |||
| 6.1 Bird Concept Introduction | 00:00:52 | ||
| 6.2 Bird Concept Improvisation Example 1 | 00:00:22 | ||
| 6.3 Bird Concept Improvisation Example 2 | 00:00:21 | ||
| 6.4 Bird Concept Improvisation Example 3 | 00:00:18 | ||
| 6.5 Bird Concept Improvisation Example 4 | 00:00:32 | ||
| 6.6 Combining Pentatonic with Bird Concept Improvisation Example 1 | 00:00:31 | ||
| 6.7 Combining Pentatonic with Bird Concept Improvisation Example 2 | 00:00:31 | ||
| 6.8 Conclusion of Bird Concept | 00:00:22 | ||
| 7. I-vi-ii-V / iii-vi-ii-V | |||
| 7.1 I-vi-ii-V Discussion | 00:01:17 | ||
| 7.2 Using F Major Over a D Minor Chord | 00:00:25 | ||
| 7.3 iii-vi-ii-V Phrase 1 | 00:00:15 | ||
| 7.4 iii-vi-ii-V Phrase 2 | 00:00:15 | ||
| 7.5 Diminished Whole Tone Scale | 00:01:08 | ||
| 7.6 D minor Phrase | 00:00:09 | ||
| 7.7 G7 Phrase | 00:00:11 | ||
| 7.8 ii V Phrase | 00:00:50 | ||
| 7.9 iii-vi-ii-V Phrases | 00:01:11 | ||
| 7.10 More iii-vi-ii-V Phrases | 00:00:33 | ||
| 7.11 I-vi-ii-V / iii-vi-ii-V Conclusion | 00:00:13 | ||
| 8. Advanced Improvisational Concepts | |||
| 8.1 Introduction to Advanced Improvisational Concepts | 00:00:45 | ||
| 8.2 Advanced Improvisational Concepts Example: C Blues | 00:02:15 | ||
| 8.3 ii V ideas / G minor / Cry Me a River | 00:00:53 | ||
| 8.4 Playing Over Minor – Example A Minor | 00:00:34 | ||
| 8.5 Using the 6th | 00:00:56 | ||
| 8.6 Using Major over minor – Example C Major over A minor | 00:00:26 | ||
| 8.7 Introduction to Whole Tone and Augmented Ideas | 00:00:09 | ||
| 8.8 C Whole Tone Scale | 00:00:09 | ||
| 8.9 C Whole Tone Phrase 1 | 00:00:07 | ||
| 8.10 C Whole Tone Phrase 2 | 00:00:00 | ||
| 8.11 Augmented Triads | 00:00:13 | ||
| 8.12 C Whole Tone Phrase 3 | 00:00:11 | ||
| 8.13 E Major triad over C | 00:00:36 | ||
| 8.14 Minor Blues Playing example | 00:00:36 | ||
| 8.15 Minor Blues Possibilities | 00:06:18 | ||
| 9. More Advanced Improvisational Concepts | |||
| 9.1 Double Stops (Diminished) Introduction | 00:01:20 | ||
| 9.2 Double Stops (Diminished) | 00:01:20 | ||
| 9.3 Double Stops (Diminished) Improvisation 1 | 00:00:31 | ||
| 9.4 Double Stops (Diminished) Improvisation 2 | 00:00:35 | ||
| 9.5 Quadruple Stops Introduction | 00:00:25 | ||
| 9.6 Quadruple Stop Improvisation 1 | 00:00:36 | ||
| 9.7 Quadruple Stop Improvisation 2 | 00:00:35 | ||
| 10. Recap | |||
| 10.1 Recap | 00:00:23 | ||
| 10.2 Strechin’ with Larry Coryell Playing Example 1 | 00:00:37 | ||
| 10.3 Recap Outro | 00:00:26 | ||
| 11. Playing in Time | |||
| 11.1 Playing in Time Introduction | 00:00:10 | ||
| 11.2 Strechin’ with Larry Coryell Playing Example 2 | 00:00:35 | ||
| 11.3 Strechin’ with Larry Coryell Playing Example 3 | 00:01:48 | ||
| 12. Chromaticism and Diminished Phrases | |||
| 12.1 Using Chromaticism / More Diminished Introduction | 00:00:20 | ||
| 12.2 B Half Whole Diminished Scale | 00:19:00 | ||
| 12.3 C Half Whole Diminished Scale Phrase Examples | 00:00:24 | ||
| 12.4 G Half Whole Diminished Scale Phrase Example 1 | 00:00:16 | ||
| 12.5 G Half Whole Diminished Scale Phrase Example 2 | 00:00:27 | ||
| 12.6 Larry Coryell’s “The Dragon Gate” Melody Fragment Example | 00:00:25 | ||
| 12.7 1 + 2 Diminished (Implied Chromatic) | 00:00:20 | ||
| 13. Stretchin' with Larry Coryell | |||
| 13.1 Strechin’ with Larry Coryell Examples 4 and 5 Talking Introduction | 00:00:12 | ||
| 13.2 Strechin’ with Larry Coryell Playing Example 4 | 00:01:29 | ||
| 13.3 Strechin’ with Larry Coryell Playing Example 5 | 00:01:49 | ||
| 14. Closing | |||
| 14.1 Closing | 00:01:17 | ||
Course Reviews
Related Courses
Instructors
28 STUDENTS ENROLLED
Jon Ellison
Fantastic blues study. A lifetime worth of study presented here! Great many playing examples that one can utilize immediately. Basic concepts are presented –then LC demonstrates–very inspirational. Long live Larry Coryell!
Charles Li
It so nice to see Larry teaching again. I took a lesson with him a long time ago and he taught me so much!
Takumi Nakayama
I like this lesson very much. I wish it was in Japanese.
Jason Roman
Larry truly is the Godfather of Fusion. He also loved teaching so I am glad that he did this. He was a great teacher and was very passionate about it. This course is called Blues but there is so much more here. I really am glad I got it!
Tracey Groves
very nicely thoughtout course – larry goes back to the blues and introduces a lot of the concepts and ideas that make his playing so great
Marcus Livingstone
RIP LARRY. WHAT A LEGEND. BRILLIANT COURSE WISH HE WAS STILL AMONG US. GOD BLESS.
Sam Goldberg
The interactive part is extremely helpful. It’s good to be able to slow Larry’s playing right down and loop his phrases and lines. The quality is excellent throughout and the transcriptions are spot on. He takes us from the basics, and gradually introduces new ideas. The longer pieces are superb. I already knew the basic blues progression, but the longer pieces will take me a bit of time to get under the fingers. My only criticism is that I would have liked to see more emphasis on Larry’s fusion side. Otherwise highly recommended.
Collin McRae
It’s so nice to see Larry one last time! I used to idolize him a lot back in the day! He teaches a lot of beautiful jazzy things and being able to slow videos down really helps. There is definitely something for everybody in this course.
Amir Shaffir
I was really surprised finding this recent lesson with the great Larry Corryell. This course gets quite advanced and difficult right away, so be aware that you are at a certain level in your jazzguitar playing level, otherwise very good information.
Yannick Trunzer
Always loved Larrys playing, great course and great value.