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“Pat Martino: Study Of The Opposites”帶給你您受格萊美獎提名得主爵士吉他傳奇Pat Martino (帕特馬蒂諾)的有如一名建築家的思維。Consonance(和音)與Dissonance(不協和音)。光明與黑暗。帕特的對立研究將解開你不為人知的潛力,並將扭轉你對樂器的先入為主的傳統觀念。

 

帕特馬蒂諾的吉他演奏方法帶出他獨特的聲音,像他這種方式可以讓吉他的錯綜複雜的聲音擁有一種不屈不撓的親密感和開放感的印象。

 

他對樂器的處理方式不僅顯示了他對即興創作原則的熱情和執著,而且還制定了他人難以模仿或複制的爵士吉他演奏的標準。

 

TAGA製作出版社的“Pat Martino:Study Of The Opposites”標誌著對Pat的天份的全面考察。

 

受到一位音樂傳奇的指導,他為您提供了長年積累的智慧藍圖,這將釋放您潛力,並將節省您在未來因失敗而浪費了的寶貴時間。

 

來為您的吉他演奏體驗一場概念的劇變吧,令您能夠在即興創作中探索新的未知領域。

 

在探索Pat Martino的作品時,這課程整合了視覺高品質三角相機格式,支持大量免費PDF,圖表和尖端學習材料。

本課程還為您提供最新的Soundslice技術,以便您在播放素材,瀏覽免費pdf /副本以及更多內容的同一時間能夠播放,循環重播和/或減慢製表符和符號。

 

準備好為你的吉他演奏進行前所未有的轉變了嗎?

Course Curriculum

1. Introduction
1.1 Introduction by Pat Martino 00:01:10
2. Decoding the Matrix
2.1 Introducing Fingering Points 00:00:59
2.2 Lower and Upper Areas of Activity 00:02:30
2.3 Coupling Fingering Points 00:01:15
2.4 Decoding the Matrix Recap 00:01:13
2.5 Chromatic Stairways: Connecting Fingering Points 00:01:09
3. Piano vs Guitar
3.1 The Nature of the Piano 00:01:23
3.2 The Two Automatic Functions of the Guitar 00:02:05
3.3 A Mathematical Approach 00:00:46
4. The First Automatic Function
4.1 Descent: Deriving Major Triads 00:00:58
4.2 Ascent: Deriving Minor Triads 00:01:28
4.3 Deriving Triads Recap 00:00:56
4.4 Twelve Keys 00:01:37
4.5 Triad Inversions: Horizontal Movement (String Group 3 2 1) 00:01:05
4.6 Triad Inversions: Vertical Movement 00:01:28
4.7 Adjacent Triad Inversions 00:00:50
4.8 Non-Adjacent Triad Inversions (String Group 6 4 3) 00:00:46
4.9 Demonstration of Non-Adjacent Triads 00:00:53
4.10 String Groups 5 3 2 and 4 2 1 00:01:04
5. The Second Automatic Function
5.1 Descent: 7th Chords 00:02:15
5.2 7th Chord Inversions: Horizontal Movement (String Group 6 5 4 3) 00:01:02
5.3 7th Chord Inversions: Other String Groups 00:02:07
5.4 Accommodating for the 2nd and 3rd Strings (Transferring Chord Shapes) 00:05:36
5.5 7th and Diminished Inversions: Non-Adjacent 00:01:58
5.6 Ascent: Deriving m7b5 Chords 00:02:20
5.7 Summing Up the Automatic Functions 00:00:38
5.8 Expanding Further 00:01:02
6. The Tritone and its Division of the Twelve-Tone Scale
6.1 Dividing Twelve Notes Into Six 00:03:03
6.2 Consonant Cluster 00:02:10
6.3 Dissonant Cluster 00:01:42
6.4 Conceptualizing Multiple Substitutions 00:01:08
6.5 Applying Multiple Substitutions 00:00:57
6.6 Concluding Multiple Substitutions 00:00:53
7. Tunes
7.1 Introduction to Tunes 00:01:02
7.2 Round Midnight 00:06:34
7.3 Alone Together 00:04:44
7.4 Remembered 00:04:20
7.5 Sun on My Hands 00:08:25
7.6 Thanks for Watching 00:00:14

Course Reviews

4.5

4.5
10 ratings
  • 5 stars6
  • 4 stars3
  • 3 stars1
  • 2 stars0
  • 1 stars0
  1. Reggie Michaels

    5

    Interesting to hear about Pat’s approach to improvisation. There’s a lot of information to digest, but his systematic approach is easy to follow. Great if you feel stuck playing the same licks over and over again.

  2. Sofia Wagenknecht

    4

    I was expecting to learn more of Pat’s signature lines, but Pat really teaches about music and the guitar in general, which is really great too! He goes really deep with some topics and gives you more of a vehicle to use for improvisation. I was always a big fan of Pat Martino and enjoyed the tunes he played at the end. I whish some of them could have been more uptempo, but i still enjoyed it!

  3. Patrick Willink

    5

    Pat Martino always has been such an inspiration for me! He is not really teaching you his signature lines, but he is teaching you more of his mindset on how to approach the instrument. This is actually the course i needed years ago. Great job!

  4. Jonas Kramer

    5

    VERY ADVANCED COURSE, BUT SUPER INTERESTING! LOVE TO HEAR PATS IDEAS ON MUSIC, THANKS A LOT!

  5. Rebecca Levin

    5

    Pat says in this course that he’s going to approach the guitar like a machine. His approach is very intellectual and academic and might not be for everyone. Having said that, the pieces are beautiful, although I don’t really care for the synth backing sound he uses. The transcriptions are absolutely superb though. Top marks for that.

  6. Dima Kuznetsov

    4

    I am enjoying this course a lot, but I will need some time to digest all of the information that Pat presents in this course of jazz guitar.

  7. Jose Maria del Amo

    5

    Great course from a truly unique living legend.

  8. Marc Deluca

    4

    Although Pat’s playing is a litle sloppy occasionally during the examples, these lessons are well worth it. I still enjoyed Pat’s explanations as to how he views the Guitar. It was nice to get in his head a bit.

  9. Edward Rosen

    3

    The Inner and outer fingering points section was very interesting. Some of these lessons are beyond my current understanding of the guitar so I really wish that he would have explained a little more.

  10. Manoj Kumar

    5

    LOVED IT! THANKS PAT!!!

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