跟這個時代最具傳奇色彩的歐洲吉他手一起來體驗吉普賽爵士樂的文化和豐富的歷史和現代波普(Bebop)藝術。 理解吉普賽爵士樂的根源的同時,探索什麼是世界級當代彈奏家的演奏和從中的意義。充分探索吉普賽爵士樂和現代波普(Bebop)兩個不同的世界。
讓天材自己來告訴你天賦和神童其實並不是最重要,每個吉他手都有屬於自己明確的學習過程。
讓Biréli Lagrène向你證明,你可以通過知道要注意學習重點來創造你自己的音樂傳奇。他將在他的吉他上為你演示一條他用於實現自己音樂上的成功以及成為專業音樂家的學習道路,讓您遵循和實踐這個道路,一起邁向成功。
在這個互動視頻課程的第一部分,Biréli分享無價的見解和巧妙的方法來幫助您發現並讓您開始使用傳統和地道的“Manouche”吉他風格,接下來是第二部分,他引導您進入現代Bebop風格的學習體驗。
從無可爭辯的傳奇人物中獲得價值觀和靈感,讓您超越傳統即興創作方式,以視頻和實例,多角度拍攝,先進的“Soundslice”技術,PDF補充教材等等帶來支持你的學習。
來接受這一位音樂巨人的指導。以最地道的方式來發掘爵士吉他歷史吧。
Course Curriculum
1. Rhythm Changes Introduction | |||
1.1 Playing Introduction | 00:01:32 | ||
1.2 Introduction by Biréli Lagrène | 00:00:19 | ||
2. Rhythm Changes Basic Chords | |||
2.1 Rhythm Changes A Section Chords | 00:00:48 | ||
2.2 Rhythm Changes B Section Chords | 00:00:37 | ||
2.3 Rhythm Changes Whole Tune Chords | 00:01:03 | ||
3. Rhythm Changes A Section Rhythmic and Harmonic Variations | |||
3.1 A Section Rhythmic and Harmonic Variations Introduction | 00:00:05 | ||
3.2 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 1 | 00:00:22 | ||
3.3 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 2 | 00:00:24 | ||
3.4 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 3 | 00:00:22 | ||
3.5 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 4 | 00:00:22 | ||
3.6 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 5 | 00:00:22 | ||
3.7 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 6 | 00:00:18 | ||
3.8 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 7 | 00:00:23 | ||
4. Rhythm Changes B Section Rhythmic and Harmonic Variations | |||
4.1 Rhythm Changes B Section Rhythmic and Harmonic Variations Introduction/Example 1 | 00:00:31 | ||
4.2 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 2 | 00:00:20 | ||
4.3 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 3 | 00:00:22 | ||
4.4 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 4 | 00:00:20 | ||
4.5 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 5 | 00:00:22 | ||
4.6 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 6 | 00:00:23 | ||
4.7 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 7 | 00:00:22 | ||
5. Rhythm Changes A Section Improvisation Examples | |||
5.1 Rhythm Changes A Section Improvisation Examples Introduction | 00:00:08 | ||
5.2 Rhythm Changes A Section Improvisation Example 1 | 00:00:16 | ||
5.3 Rhythm Changes A Section Improvisation Example 2 | 00:00:19 | ||
5.4 Rhythm Changes A Section Improvisation Example 3 | 00:00:21 | ||
5.5 Rhythm Changes A Section Improvisation Example 4 | 00:00:21 | ||
5.6 Rhythm Changes A Section Improvisation Example 5 | 00:00:22 | ||
5.7 Rhythm Changes A Section Improvisation Example 6 | 00:00:20 | ||
5.8 Rhythm Changes A Section Improvisation Example 7 | 00:00:21 | ||
5.9 Rhythm Changes A Section Improvisation Example 8 | 00:00:21 | ||
5.10 Rhythm Changes A Section Improvisation Example 9 | 00:00:16 | ||
5.11 Rhythm Changes A Section Improvisation Example 10 | 00:00:16 | ||
5.12 Rhythm Changes A Section Improvisation Example 11 | 00:00:19 | ||
5.13 Rhythm Changes A Section Improvisation Example 12 | 00:00:17 | ||
5.14 Rhythm Changes A Section Improvisation Example 13 | 00:00:17 | ||
5.15 Rhythm Changes A Section Improvisation Example 14 | 00:00:17 | ||
6. Rhythm Changes B Section Improvisation Examples | |||
6.1 Rhythm Changes B Section Improvisation Examples Introduction | 00:00:11 | ||
6.2 Rhythm Changes B Section Improvisation Example 1 | 00:00:20 | ||
6.3 Rhythm Changes B Section Improvisation Example 2 | 00:00:18 | ||
6.4 Rhythm Changes B Section Improvisation Example 3 | 00:00:20 | ||
6.5 Rhythm Changes B Section Improvisation Example 4 | 00:00:21 | ||
6.6 Rhythm Changes B Section Improvisation Example 5 | 00:00:17 | ||
6.7 Rhythm Changes B Section Improvisation Example 6 | 00:00:21 | ||
6.8 Rhythm Changes B Section Improvisation Example 7 | 00:00:19 | ||
6.9 Rhythm Changes B Section Improvisation Example 8 | 00:00:21 | ||
6.10 Rhythm Changes B Section Improvisation Example 9 | 00:00:18 | ||
6.11 Rhythm Changes B Section Improvisation Example 10 | 00:00:18 | ||
6.12 Rhythm Changes B Section Improvisation Example 11 | 00:00:20 | ||
6.13 Rhythm Changes B Section Improvisation Example 12 | 00:00:22 | ||
6.14 Rhythm Changes B Section Improvisation Example 13 | 00:00:20 | ||
7. Rhythm Changes Whole Tune Improvisation Examples | |||
7.1 Putting It All Together Introduction | 00:00:12 | ||
7.2 Rhythm Changes Whole Tune Improvisation Example 1 | 00:01:02 | ||
7.3 Rhythm Changes Whole Tune Improvisation Example 2 | 00:00:59 | ||
7.4 Rhythm Changes Whole Tune Improvisation Example 3 | 00:00:58 | ||
7.5 Rhythm Changes Whole Tune Improvisation Example 4 | 00:00:48 | ||
7.6 Rhythm Changes Whole Tune Improvisation Example 5 | 00:00:48 | ||
7.7 Rhythm Changes Whole Tune Improvisation Example 6 | 00:00:33 | ||
7.8 Rhythm Changes Whole Tune Improvisation Example 7 | 00:00:33 | ||
7.9 Rhythm Changes Whole Tune Improvisation Example 8 | 00:00:38 | ||
7.10 Rhythm Changes Whole Tune Improvisation Example 9 | 00:00:39 | ||
7.11 Rhythm Changes Whole Tune Improvisation Example 10 | 00:00:27 | ||
7.12 Rhythm Changes Whole Tune Improvisation Example 11 | 00:00:29 | ||
8. Rhythm Changes Conclusion | |||
8.1 Outro Talking | 00:00:29 | ||
8.2 Rhythm Changes Outro Playing | 00:02:53 | ||
9. Django Reinhardt Style Introduction | |||
9.1 Django Reinhardt Style Talking Introduction | 00:00:07 | ||
9.2 Django Reinhardt Style Playing Introduction | 00:01:06 | ||
9.3 A Brief History of the Django Reinhardt Style | 00:01:16 | ||
10. Django Reinhardt Style Rhythmic Examples | |||
10.1 Django Reinhardt Style Rhythmic Examples Introduction | 00:00:11 | ||
10.2 Django Reinhardt Style Rhythmic Example 1 | 00:00:14 | ||
10.3 Django Reinhardt Style Rhythmic Example 2 | 00:00:51 | ||
10.4 Django Reinhardt Style Rhythmic Example 3 | 00:00:50 | ||
10.5 Django Reinhardt Style Rhythmic Example 4 | 00:00:25 | ||
10.6 Django Reinhardt Style Rhythmic Example 5 | 00:00:09 | ||
10.7 Django Reinhardt Style Muting Introduction | 00:00:21 | ||
10.8 Django Reinhardt Style Muting – Rhythmic Example 6 | 00:00:51 | ||
10.9 Django Reinhardt Style Rhythmic Example 7 – Troublant Bolero | 00:01:02 | ||
10.10 Django Reinhardt Style Rhythmic Example 8 – Troublant Bolero – Right Hand | 00:00:30 | ||
11. Django Reinhardt Style Phrases | |||
11.1 Django Reinhardt Style Phrases Example 1 | 00:00:13 | ||
11.2 Django Reinhardt Style Phrases Example 2 | 00:00:10 | ||
11.3 Django Reinhardt Style Phrases Example 3 | 00:00:17 | ||
11.4 Django Reinhardt Style Phrases Example 4 | 00:00:20 | ||
11.5 Django Reinhardt Style Phrases Example 5 | 00:00:19 | ||
11.6 Django Reinhardt Style Phrases Example 6 | 00:00:23 | ||
11.7 Django Reinhardt Style Phrases Example 7 | 00:00:08 | ||
11.8 Django Reinhardt Style Phrases Example 7 – Slow | 00:00:23 | ||
11.9 Django Reinhardt Style Phrases Example 8 | 00:00:24 | ||
11.10 Django Reinhardt Style Phrases Example 9 | 00:00:14 | ||
11.11 Django Reinhardt Style Phrases Example 9 | 00:00:14 | ||
11.12 Django Reinhardt Style Phrases Example 10 | 00:00:05 | ||
11.13 Django Reinhardt Style Phrases Example 10 – Slow | 00:00:12 | ||
11.14 Django Reinhardt Style Phrases Example 11 | 00:00:05 | ||
11.15 Django Reinhardt Style Phrases Example 11 – Slow | 00:00:10 | ||
11.16 Django Reinhardt Style Phrases Example 12 | 00:00:05 | ||
11.17 Django Reinhardt Style Phrases Example 13 | 00:00:23 | ||
11.18 Django Reinhardt Style Phrases Example 14 | 00:00:13 | ||
11.19 Django Reinhardt Style Phrases Example 15 | 00:00:17 | ||
11.20 Django Reinhardt Style Phrases Example 16 | 00:00:12 | ||
11.21 Django Reinhardt Style Phrases Example 17 | 00:00:03 | ||
11.22 Django Reinhardt Style Phrases Example 18 | 00:00:12 | ||
11.23 Django Reinhardt Style Phrases Example 19 | 00:00:04 | ||
11.24 Django Reinhardt Style Phrases Example 19 – Slow | 00:00:15 | ||
11.25 Django Reinhardt Style Phrases Example 20 | 00:00:25 | ||
11.26 Django Reinhardt Style Phrases Example 21 | 00:00:15 | ||
11.27 Django Reinhardt Style Phrases Example 22 | 00:00:05 | ||
11.28 Django Reinhardt Style Phrases Example 23 | 00:00:19 | ||
11.29 Django Reinhardt Style Phrases Example 24 | 00:00:20 | ||
11.30 Django Reinhardt Style Phrases Example 25 | 00:00:25 | ||
12. Django Reinhardt Style Tunes | |||
12.1 Nuages | 00:02:31 | ||
12.2 How High The Moon | 00:01:58 | ||
12.3 Sweet Georgia Brown | 00:02:41 | ||
12.4 Django Reinhardt Style Outro Talking | 00:00:14 | ||
12.5 Django Reinhardt Style Outro Playing | 00:00:50 |
Course Reviews
Instructors
35 STUDENTS ENROLLED
Jim Beller
Wow. This guy is a monster! Most people people think Bireli = Gipsy Jazz, but he’s an all-round guitar phenomena. There’s hardly any talking in this course, but it’s packed with awesome playing and original, interesting lines. I’ve been playing for many years and this is going to keep me busy for a long, long time.
Wim Bakker
Not for the faint-hearted!! I can just about manage some of this at the slower speed loop setting… What a player. Seriously man.
Thomas Richards
Very good course. Excellent playing.
Jean Francois Durand
Amazing player, one of my favorites! It’s really nice to have one part only electric guitar and the second part acoustic manouce guitar. It’s like having two courses, great job Bireli!
Michael Hoffmann
SO much material to learn! Very advanced lines, the slow down and loop mode really helped so far. Thanks a lot!
Tom Miletic
Great Sound and unbelievably flashy lines! Bireli really does deliever on any level, but i whish he would explain his lines and play a bit more…otherwise very cool course. The Soundslice really helps the learning.
Mike Roberts
I remember first hearing Bireli Lagrene when my teacher gave me a cassette tape of his “Standards” album. I was blown away by it! I am not a Gypsy Jazz player so the second half of this course didn’t have much use for me but the first half, which is all about Rhyhtm Changes is phenomenal. I highly recommend this course!
Jose Vargas
Bireli not teaching much in this video, more showing phrases. But still a nice course.
Brent Howard
Bireli will always be one of the best! There are so many examples of lines that it will take me a while to digest them let alone get them under my fingers and be able to incorporate them in my playing.