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“Pat Martino: Study Of The Opposites” ti offre la possibilità di capire la mentalità architettonica di Pat Martino, vincitore di diversi Grammy Award e leggenda del jazz.
Consonanza e Dissonanza. Luce e oscurità. Lo studio approfondito degli opposti di Pat sbloccherà il tuo potenziale e ti farà rivoltare una volta per tutte i preconcetti sullo strumento.

Il suono che contraddistingue Pat Martino è il risultato di un approccio allo strumento che gli ha permesso di capire la complessità della chitarra.

Il suo approccio allo strumento rivela non solo la sua passione nel proporre alcuni dei più avanzati principi di improvvisazione, ma ribadisce anche degli standard per la chitarra jazz che rimangono ancora difficili da emulare o replicare.

“Pat Martino: Study Of The Opposites” di TAGA Publishing è un esame completo del lavoro del genio di Pat.

Fatti guidare da un eroe che ha accumulato tanta saggezza, che ti aiuterà ad esprimere il tuo potenziale e ti insegnerà ad ottimizzare lo studio, senza sprecare tempo.

Sperimenta uno sconvolgimento concettuale nel tuo modo di suonare la chitarra che migliorerà la tua mente e le tue abilità in modo permanente e ti permetterà di esplorare nuovi territori nell’improvvisazione.

Il lavoro di Pat Martino, “Study Of The Opposites”, include visuale tripla in alta definizione ed è supportato da numerosi PDF gratuiti, schemi e materiale didattico all’avanguardia.

Questo corso ti offre anche la nuovissima “Sound-Slice Technology” per poter riprodurre, mettere a loop, accelerare o rallentare TAB e notazione, innumerevoli pdf / trascrizioni gratuiti e molto altro.

Consapevole del peso degli insegnamenti di Pat, preparati ad un vero sconvolgimento nel tuo modo di suonare la chitarra.

 

Course Curriculum

1. Introduction
1.1 Introduction by Pat Martino 00:01:10
2. Decoding the Matrix
2.1 Introducing Fingering Points 00:00:59
2.2 Lower and Upper Areas of Activity 00:02:30
2.3 Coupling Fingering Points 00:01:15
2.4 Decoding the Matrix Recap 00:01:13
2.5 Chromatic Stairways: Connecting Fingering Points 00:01:09
3. Piano vs Guitar
3.1 The Nature of the Piano 00:01:23
3.2 The Two Automatic Functions of the Guitar 00:02:05
3.3 A Mathematical Approach 00:00:46
4. The First Automatic Function
4.1 Descent: Deriving Major Triads 00:00:58
4.2 Ascent: Deriving Minor Triads 00:01:28
4.3 Deriving Triads Recap 00:00:56
4.4 Twelve Keys 00:01:37
4.5 Triad Inversions: Horizontal Movement (String Group 3 2 1) 00:01:05
4.6 Triad Inversions: Vertical Movement 00:01:28
4.7 Adjacent Triad Inversions 00:00:50
4.8 Non-Adjacent Triad Inversions (String Group 6 4 3) 00:00:46
4.9 Demonstration of Non-Adjacent Triads 00:00:53
4.10 String Groups 5 3 2 and 4 2 1 00:01:04
5. The Second Automatic Function
5.1 Descent: 7th Chords 00:02:15
5.2 7th Chord Inversions: Horizontal Movement (String Group 6 5 4 3) 00:01:02
5.3 7th Chord Inversions: Other String Groups 00:02:07
5.4 Accommodating for the 2nd and 3rd Strings (Transferring Chord Shapes) 00:05:36
5.5 7th and Diminished Inversions: Non-Adjacent 00:01:58
5.6 Ascent: Deriving m7b5 Chords 00:02:20
5.7 Summing Up the Automatic Functions 00:00:38
5.8 Expanding Further 00:01:02
6. The Tritone and its Division of the Twelve-Tone Scale
6.1 Dividing Twelve Notes Into Six 00:03:03
6.2 Consonant Cluster 00:02:10
6.3 Dissonant Cluster 00:01:42
6.4 Conceptualizing Multiple Substitutions 00:01:08
6.5 Applying Multiple Substitutions 00:00:57
6.6 Concluding Multiple Substitutions 00:00:53
7. Tunes
7.1 Introduction to Tunes 00:01:02
7.2 Round Midnight 00:06:34
7.3 Alone Together 00:04:44
7.4 Remembered 00:04:20
7.5 Sun on My Hands 00:08:25
7.6 Thanks for Watching 00:00:14

Course Reviews

4.5

4.5
10 ratings
  • 5 stars6
  • 4 stars3
  • 3 stars1
  • 2 stars0
  • 1 stars0
  1. Reggie Michaels

    5

    Interesting to hear about Pat’s approach to improvisation. There’s a lot of information to digest, but his systematic approach is easy to follow. Great if you feel stuck playing the same licks over and over again.

  2. Sofia Wagenknecht

    4

    I was expecting to learn more of Pat’s signature lines, but Pat really teaches about music and the guitar in general, which is really great too! He goes really deep with some topics and gives you more of a vehicle to use for improvisation. I was always a big fan of Pat Martino and enjoyed the tunes he played at the end. I whish some of them could have been more uptempo, but i still enjoyed it!

  3. Patrick Willink

    5

    Pat Martino always has been such an inspiration for me! He is not really teaching you his signature lines, but he is teaching you more of his mindset on how to approach the instrument. This is actually the course i needed years ago. Great job!

  4. Jonas Kramer

    5

    VERY ADVANCED COURSE, BUT SUPER INTERESTING! LOVE TO HEAR PATS IDEAS ON MUSIC, THANKS A LOT!

  5. Rebecca Levin

    5

    Pat says in this course that he’s going to approach the guitar like a machine. His approach is very intellectual and academic and might not be for everyone. Having said that, the pieces are beautiful, although I don’t really care for the synth backing sound he uses. The transcriptions are absolutely superb though. Top marks for that.

  6. Dima Kuznetsov

    4

    I am enjoying this course a lot, but I will need some time to digest all of the information that Pat presents in this course of jazz guitar.

  7. Jose Maria del Amo

    5

    Great course from a truly unique living legend.

  8. Marc Deluca

    4

    Although Pat’s playing is a litle sloppy occasionally during the examples, these lessons are well worth it. I still enjoyed Pat’s explanations as to how he views the Guitar. It was nice to get in his head a bit.

  9. Edward Rosen

    3

    The Inner and outer fingering points section was very interesting. Some of these lessons are beyond my current understanding of the guitar so I really wish that he would have explained a little more.

  10. Manoj Kumar

    5

    LOVED IT! THANKS PAT!!!

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