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tagapublishing.com è lieta di presentare:

Mike Stern: Burn with Stern!

Mike Stern, leggenda della chitarra più volte nominata ai Grammy Award, ti farà vedere come si uniscono rock e jazz e ti riporterà indietro agli inizi facendoti ripartire nel modo giusto.
Mike ti insegnerà come far diventare facile ciò che è difficile.

Mike ti prenderà personalmente per mano, guidandoti in un’esperienza che non hai mai provato.
In questo corso, Mike ti darà gli attrezzi per farti entrare nel jazz usando un blues minore.

Il nostro corso “Mike Stern: Burn with Stern” è supportato dall’ultimissima “Soundslide Technology, grazie alla quale potrai riprodurre, mettere in loop e rallentare. Il video è in HD, triplice inquadratura. Inoltre potrai usufruire del materiale in PDF e della tastiera virtuale.

Se vuoi diventare non solo un chitarrista migliore ma un grande chitarrista, il corso “Mike Stern: Burn with Stern” di TAGAPublishing è quel che fa per te.

Course Curriculum

1. Introduction
1.1 Playing Introduction by Mike Stern 00:01:48
1.2 Welcome 00:00:55
2. Minor Blues Introduction
2.1 Why Minor blues? 00:00:48
2.2 C minor blues chords 00:01:00
3. How to learn Jazz
3.1 How to learn Jazz 00:03:02
3.2 Learning modes from their roots 00:01:53
3.3 C Dorian 00:01:06
3.4 Aeolian v.s. Dorian 00:01:03
3.5 The Mike Stern Sound 00:02:38
4. Scales
4.1 G Mixolydian b2 b6 00:03:02
4.2 Getting to the IV chord 00:01:42
4.3 Ab Lydian 00:00:52
4.4 Ab Lydian Dominant 00:00:43
4.5 D7 Altered Scale 00:03:22
5. Minor Blues complete
5.1 Minor Blues Performance 00:04:12
6. Chord Tones
6.1 Chord Tones Introduction 00:02:09
6.2 Minor Blues with chord tones 00:01:31
7. Comping
7.1 Comping Introduction 00:04:07
7.2 Comping Performance 00:03:46
7.3 Comping Conclusion 00:01:08
8. Advice
8.1 Playing in time 00:01:21
8.2 Persistence 00:00:39
9. Bach
9.1 Bach talking Introduction 00:02:13
9.2 Bach outlining chords 00:01:58
9.3 Bach conclusion 00:00:26
10. Improvising through the C minor blues
10.1 Minor 7 Introduction 00:01:13
10.2 Minor 7 performance 00:02:14
10.3 G half whole diminished explanation 00:04:28
10.4 Ab7#11 introduction 00:01:08
10.5 Ab7#11 performance 00:01:56
10.6 G Mixolydian b2 b6 performance 00:00:40
11. Triads
11.1 Using Triads 00:00:44
11.2 G and Ab Triads 00:01:11
12. Conclusion
12.1 Edmond Introduction 00:00:08
12.2 Mr. PC 00:05:35
12.3 Conclusion 00:00:14

Course Reviews


12 ratings
  • 5 stars8
  • 4 stars4
  • 3 stars0
  • 2 stars0
  • 1 stars0
  1. Christian Winkler


    learned a lot! mike stern has been my favorite!

  2. Rodrigo Musalem


    great course

  3. Sebastian Kerr


    Very good for entry level and getting into Jazz. Great idea to keep everything to a minor Blues, really enjoyed it.

  4. Hugh Dawson


    Really nice lesson! Unfortunately mike never puts on any Distortion, would have loved to hear more rock stuff!

  5. Kit Gray


    feels like sitting in a room with the man himself. am digging the scrolling tabs and floating fretboard.

  6. Grant Sims


    Purple Haze!! LOL!!! Probably my fave guitarist right now and all credit to him for these awesome lessons.

  7. Barry McGee


    I’ve been playing guitar on and off for over 30 years. Wish I’d had this kind of thing when I was a kid. Mike is Mike and anyone who likes his playing with get a kick out of this.

  8. Emmanuel Connors


    I’ve been following Mike since he played with Miles. So happy to see a new teaching video from him – and its GREAT!

  9. Matt Neto


    Good Course!

  10. Kim Richardson


    Mike teaches well and there is a lot of things covered in what you think would only be minor blues.

  11. Keisuke Sasakura


    My favorite guitarist is Mike Stern!
    This instruction course is very good for learning his play style.
    TAGA Publishing is a revolutionary and very easy to use practice item.
    I would recommend TAGA publishing! Thank you!

  12. Loved it


    Saw Mike, Edmond, and Mr. Morello in Woodbridge this weekend and again was blown away. I was familiar with the chord instruction in this lesson already, but really got a lot out of how Mike phrases and approaches the blues. the transcripts let me really focus on specific areas that have helped me break away from sounding to “scalar” or mechanical. Even the four note groupings give me insight to how he makes those scales/arpeggios more melodic.

    Thanks a bunch


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