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Mauro Giuliani: 120 studi per la mano destra

Scopri un vero e proprio mondo per la tua mano destra facendoti guidare dai 120 studi di Giuliani. Migliora la fluidità delle dita, il suono e la padronanza della tua mano destra.

TAGA Publishing ti guiderà nell’apprendimento dei 120 studi per la mano destra.

Mauro Giuliani, leggenda italiana della chitarra (1781-1829), presentò il manifesto della mano destra all’inizio del diciannovesimo secolo, ma è tuttora uno dei capisaldi della chitarra classica.

I suoi 120 studi sono ancora uno standard nei programmi dello studio della chitarra classica.

I 120 studi per la mano destra di Mauro Giuliani sono da sempre una parte essenziale del percorso di acquisizione della padronanza della mano destra.

Non è necessario che tu sia un chitarrista classico, puoi usare i suoi studi per qualsiasi stile.

Se avevi in mente di lavorare sulla tua mano destra, questo è il metodo ideale. Non solo per i chitarristi classici, ma per tutti i chitarristi del mondo.

I 120 studi di Mauro Giuliani sono stati tramandati da generazioni di chitarristi, ora è il tuo turno di ricevere il testimone.

Course Curriculum

Group One
1.1 Study No. 2 00:00:54
1.2 Study No. 3 00:00:53
1.3 Study No. 81 00:01:11
1.4 Study No. 82 00:01:12
1.5 Study No. 1 00:00:53
Group Two
2.1 Study No. 25 00:01:35
2.2 Study No. 26 00:01:33
Group Three
3.1 Study No. 4 00:00:54
3.2 Study No. 5 00:00:55
3.3 Study No. 6 00:00:56
3.4 Study No. 7 00:00:54
3.5 Study No. 8 00:00:55
3.6 Study No. 9 00:00:54
3.7 Study No. 10 00:00:52
3.8 Study No. 16 00:00:53
3.9 Study No. 17 00:00:58
3.10 Study No. 17 alternate fingering 00:01:00
3.11 Study No. 8 harmonic variation 00:00:13
3.12 Study No. 16 harmonic variation 00:00:14
Group Four
4.1 Study No. 31 00:01:29
4.2 Study No. 32 00:01:28
4.3 Study No. 28 00:01:31
4.4 Study No. 29 00:01:29
4.5 Study No. 35 00:01:30
4.6 Study No. 35 harmonic variation 00:00:22
Group Five
5.1 Study No. 33 00:01:32
5.2 Study No. 34 00:01:30
5.3 Study No. 27 00:01:30
5.4 Study No. 30 00:01:31
5.5 Study No. 30 harmonic variation 00:00:23
Group Six
6.1 Study No. 86 00:01:11
6.2 Study No. 87 00:01:14
6.3 Study No. 88 00:01:13
6.4 Study No. 89 00:01:13
6.5 Study No. 90 00:01:14
6.6 Study No. 91 00:01:15
6.7 Study No. 92 00:01:16
6.8 Study No. 93 00:01:16
6.9 Study No. 88 harmonic variation 00:00:13
6.10 Study No. 92 harmonic variation 00:00:13
6.11 Study No. 93 harmonic variation 00:00:17
Group Seven
7.1 Study No. 83 00:01:13
7.2 Study No. 84 00:01:12
7.3 Study No. 85 00:01:12
7.4 Study No. 85 alternate fingering 00:01:12
Group Eight
8.1 Study No. 11 00:01:10
8.2 Study No. 12 00:00:54
8.3 Study No. 13 00:00:53
8.4 Study No. 14 00:00:54
8.5 Study No. 15 00:00:54
Group Nine
9.1 Study No. 51 00:00:00
9.2 Study No. 52 00:00:00
9.3 Study No. 53 00:00:00
9.4 Study No. 54 00:00:00
9.5 Study No. 55 00:00:00
9.6 Study No. 56 00:00:00
9.7 Study No. 57 00:00:00
9.8 Study No. 58 00:00:00
9.9 Study No. 59 00:00:00
9.10 Study No. 60 00:00:00
9.11 Study No. 61 00:00:00
9.12 Study No. 62 00:01:23
9.13 Study No. 63 00:01:24
9.14 Study No. 64 00:01:22
9.15 Study No. 65 00:01:23
9.16 Study No. 57 harmonic variation 00:00:22
Group Ten
10.1 Study No. 94 00:01:13
10.2 Study No. 95 00:01:14
Group Eleven
11.1 Study No. 18 00:59:00
11.2 Study No. 19 00:01:00
11.3 Study No. 20 00:01:01
11.4 Study No. 21 00:01:00
11.5 Study No. 22 00:00:58
11.6 Study No. 23 00:01:00
11.7 Study No. 24 00:00:58
11.8 Study No. 22 harmonic variation 00:00:19
Group Twelve
12.1 Study No. 66 00:01:05
12.2 Study No. 67 00:01:05
12.3 Study No. 68 00:01:07
12.4 Study No. 69 00:01:04
12.5 Study No. 70 00:01:03
12.6 Study No. 71 00:01:03
12.7 Study No. 72 00:01:04
12.8 Study No. 73 00:01:04
12.9 Study No. 74 00:01:06
12.10 Study No. 75 00:01:06
12.11 Study No. 76 00:01:05
12.12 Study No. 77 00:01:06
12.13 Study No. 78 00:01:05
12.14 Study No. 79 00:01:04
12.15 Study No. 80 00:01:04
12.16 Study No. 71 harmonic variation 00:00:17
Group Thirteen
13.1 Study No. 101 00:01:16
13.2 Study No. 102 00:01:16
13.3 Study No. 103 00:01:13
13.4 Study No. 104 00:01:14
13.5 Study No. 105 00:01:16
Group Fourteen
14.1 Study No. 112 00:01:08
14.2 Study No. 113 00:01:06
14.3 Study No. 113 alternate fingering 00:01:06
14.4 Study No. 114 00:01:04
Group Fifteen
15.1 Study No. 110 00:01:26
15.2 Study No. 109 00:01:26
15.3 Study No. 100 00:01:24
15.4 Study No. 96 00:01:24
Group Sixteen
16.1 Study No. 36 00:01:26
16.2 Study No. 37 00:01:26
16.3 Study No. 38 00:01:24
16.4 Study No. 39 00:01:27
16.5 Study No. 40 00:01:26
16.6 Study No. 41 00:01:25
16.7 Study No. 42 00:01:26
16.8 Study No. 43 00:01:26
16.9 Study No. 44 00:01:26
16.10 Study No. 45 00:01:26
16.11 Study No. 46 00:01:25
16.12 Study No. 47 00:01:21
16.13 Study No. 48 00:01:24
16.14 Study No. 49 00:01:24
16.15 Study No. 50 00:01:23
16.16 Study No. 49 harmonic variation 00:00:23
Group Seventeen
17.1 Study No. 106 00:01:14
17.2 Study No. 107 00:01:15
17.3 Study No. 108 00:01:16
17.4 Study No. 111 00:01:09
17.5 Study No. 106 harmonic variation 00:00:18
Group Eighteen
18.1 Study No. 97 00:01:14
18.2 Study No. 98 00:01:16
18.3 Study No. 99 00:01:14
Group Nineteen
19.1 Study No. 115 00:01:15
19.2 Study No. 116 00:01:14
Group Twenty
20.1 Study No. 117 00:01:16
20.2 Study No. 118 00:01:16
Group Twenty-One
21.1 Study No. 119 00:01:15
21.2 Study No. 120 00:01:14
21.3 Study No. 120 harmonic variation 00:00:19

Course Reviews

4.6

4.6
9 ratings
  • 5 stars6
  • 4 stars2
  • 3 stars1
  • 2 stars0
  • 1 stars0
  1. Carl McKenzie

    4

    I always wanted to get back into playing the guitar, this course seemed to be the right choice to get my hands moving again. Everything is very clear and smoothly layed out and i was happy to find that slow motion function, that really helped. Very enjoyable lesson!

  2. Olav Adams

    5

    I decided to purchase this course as an addition to my daughters guitar lessons. She has the ability to slow everything down and take it step by step, i thought that was really good. The teacher demonstrates every exercise very elegantly, definitely five stars!

  3. Jerrick Huang

    5

    It’s amazing how much variation just the right hand can produce. Having a blast trying out these patterns over other chords, really great!

  4. Charlie Pritchard

    5

    I hesitated to buy this as you can find these online. However, the harmonic variations are a really interesting twist and work really well applied to any of the patterns. Having the video is useful too.

  5. Wendy Roberts

    4

    Wanted to improve my fingerpicking and am now using some of these patterns in my own songs. Good course.

  6. Anthony Kinnock

    5

    I’ve done a few of these before, but never went through the whole lot. It’s a challenge to get the later ones up to tempo, so the ability to control the video/scrolling speed is a useful feature. I use the easier ones as a warm up. The order is unorthodox, but makes sense and the harmonic variations help spice things up a lot!

  7. Fabian Larson

    3

    These have been recorded so many times that I don’t know if we need another one but the harmonic variation part was cool.

  8. Guillermo Clarke

    5

    Really cool to see these recorded with the Soundslice thing. It helped a lot.

  9. Jun Kim

    5

    Nice examples that I use with my studies

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