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TAGA Publishing è lieta di presentarvi Biréli Lagrène: Voilà!

La cultura e la ricca storia del gipsy jazz fino al più moderno bebop insieme a una leggenda, uno dei migliori chitarristi europei dei nostri tempi.

Scopri cosa significa essere la transizione naturale tra un musicista contemporaneo che allo stesso tempo rispetta la tradizione e le radici del gipsy jazz. Ottieni il meglio dai due mondi.

Lascia che sia lo stesso Biréli a convincerti che i miti sul talento e sui ragazzi prodigio sono sopravvalutati, dato che esiste un percorso da seguire per tutti.
Lascia che Bireli ti dimostri che puoi diventare leggenda sapendo cosa è importante e dove concentrarti. Ti mostrerà un percorso chiaro da seguire sulla chitarra, molto simile al suo percorso per raggiungere la sua attuale padronanza dello strumento e un successo senza precedenti come musicista professionista.

Nella prima parte del nostro corso interattivo qui a TAGA Publishing, Biréli condivide intuizioni inestimabili e metodi ingegnosi per aiutarti ad iniziare con il tradizionale ed autentico stile “Manouche”, seguito dalla seconda parte, una moderna esperienza di apprendimento del Bebop.

Prendi ispirazione da una leggenda indiscussa che ti farà andare oltre gli approcci convenzionali all’improvvisazione, supportato da innumerevoli esempi video, visuali da più angolazioni, “Sound-Slice Techonology”, PDF e molto di più.

Fatti guidare da un gigante come lui. Scopri un gigante della storia del jazz nella maniera più autentica possibile. Noi di TAGA Publishing non possiamo ringraziare Biréli abbastanza per averci affidato il progetto che noi siamo entusiasti di presentarti, in tutti i dettagli del suo genio.

Course Curriculum

1. Rhythm Changes Introduction
1.1 Playing Introduction 00:01:32
1.2 Introduction by Biréli Lagrène 00:00:19
2. Rhythm Changes Basic Chords
2.1 Rhythm Changes A Section Chords 00:00:48
2.2 Rhythm Changes B Section Chords 00:00:37
2.3 Rhythm Changes Whole Tune Chords 00:01:03
3. Rhythm Changes A Section Rhythmic and Harmonic Variations
3.1 A Section Rhythmic and Harmonic Variations Introduction 00:00:05
3.2 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 1 00:00:22
3.3 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 2 00:00:24
3.4 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 3 00:00:22
3.5 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 4 00:00:22
3.6 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 5 00:00:22
3.7 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 6 00:00:18
3.8 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 7 00:00:23
4. Rhythm Changes B Section Rhythmic and Harmonic Variations
4.1 Rhythm Changes B Section Rhythmic and Harmonic Variations Introduction/Example 1 00:00:31
4.2 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 2 00:00:20
4.3 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 3 00:00:22
4.4 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 4 00:00:20
4.5 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 5 00:00:22
4.6 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 6 00:00:23
4.7 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 7 00:00:22
5. Rhythm Changes A Section Improvisation Examples
5.1 Rhythm Changes A Section Improvisation Examples Introduction 00:00:08
5.2 Rhythm Changes A Section Improvisation Example 1 00:00:16
5.3 Rhythm Changes A Section Improvisation Example 2 00:00:19
5.4 Rhythm Changes A Section Improvisation Example 3 00:00:21
5.5 Rhythm Changes A Section Improvisation Example 4 00:00:21
5.6 Rhythm Changes A Section Improvisation Example 5 00:00:22
5.7 Rhythm Changes A Section Improvisation Example 6 00:00:20
5.8 Rhythm Changes A Section Improvisation Example 7 00:00:21
5.9 Rhythm Changes A Section Improvisation Example 8 00:00:21
5.10 Rhythm Changes A Section Improvisation Example 9 00:00:16
5.11 Rhythm Changes A Section Improvisation Example 10 00:00:16
5.12 Rhythm Changes A Section Improvisation Example 11 00:00:19
5.13 Rhythm Changes A Section Improvisation Example 12 00:00:17
5.14 Rhythm Changes A Section Improvisation Example 13 00:00:17
5.15 Rhythm Changes A Section Improvisation Example 14 00:00:17
6. Rhythm Changes B Section Improvisation Examples
6.1 Rhythm Changes B Section Improvisation Examples Introduction 00:00:11
6.2 Rhythm Changes B Section Improvisation Example 1 00:00:20
6.3 Rhythm Changes B Section Improvisation Example 2 00:00:18
6.4 Rhythm Changes B Section Improvisation Example 3 00:00:20
6.5 Rhythm Changes B Section Improvisation Example 4 00:00:21
6.6 Rhythm Changes B Section Improvisation Example 5 00:00:17
6.7 Rhythm Changes B Section Improvisation Example 6 00:00:21
6.8 Rhythm Changes B Section Improvisation Example 7 00:00:19
6.9 Rhythm Changes B Section Improvisation Example 8 00:00:21
6.10 Rhythm Changes B Section Improvisation Example 9 00:00:18
6.11 Rhythm Changes B Section Improvisation Example 10 00:00:18
6.12 Rhythm Changes B Section Improvisation Example 11 00:00:20
6.13 Rhythm Changes B Section Improvisation Example 12 00:00:22
6.14 Rhythm Changes B Section Improvisation Example 13 00:00:20
7. Rhythm Changes Whole Tune Improvisation Examples
7.1 Putting It All Together Introduction 00:00:12
7.2 Rhythm Changes Whole Tune Improvisation Example 1 00:01:02
7.3 Rhythm Changes Whole Tune Improvisation Example 2 00:00:59
7.4 Rhythm Changes Whole Tune Improvisation Example 3 00:00:58
7.5 Rhythm Changes Whole Tune Improvisation Example 4 00:00:48
7.6 Rhythm Changes Whole Tune Improvisation Example 5 00:00:48
7.7 Rhythm Changes Whole Tune Improvisation Example 6 00:00:33
7.8 Rhythm Changes Whole Tune Improvisation Example 7 00:00:33
7.9 Rhythm Changes Whole Tune Improvisation Example 8 00:00:38
7.10 Rhythm Changes Whole Tune Improvisation Example 9 00:00:39
7.11 Rhythm Changes Whole Tune Improvisation Example 10 00:00:27
7.12 Rhythm Changes Whole Tune Improvisation Example 11 00:00:29
8. Rhythm Changes Conclusion
8.1 Outro Talking 00:00:29
8.2 Rhythm Changes Outro Playing 00:02:53
9. Django Reinhardt Style Introduction
9.1 Django Reinhardt Style Talking Introduction 00:00:07
9.2 Django Reinhardt Style Playing Introduction 00:01:06
9.3 A Brief History of the Django Reinhardt Style 00:01:16
10. Django Reinhardt Style Rhythmic Examples
10.1 Django Reinhardt Style Rhythmic Examples Introduction 00:00:11
10.2 Django Reinhardt Style Rhythmic Example 1 00:00:14
10.3 Django Reinhardt Style Rhythmic Example 2 00:00:51
10.4 Django Reinhardt Style Rhythmic Example 3 00:00:50
10.5 Django Reinhardt Style Rhythmic Example 4 00:00:25
10.6 Django Reinhardt Style Rhythmic Example 5 00:00:09
10.7 Django Reinhardt Style Muting Introduction 00:00:21
10.8 Django Reinhardt Style Muting – Rhythmic Example 6 00:00:51
10.9 Django Reinhardt Style Rhythmic Example 7 – Troublant Bolero 00:01:02
10.10 Django Reinhardt Style Rhythmic Example 8 – Troublant Bolero – Right Hand 00:00:30
11. Django Reinhardt Style Phrases
11.1 Django Reinhardt Style Phrases Example 1 00:00:13
11.2 Django Reinhardt Style Phrases Example 2 00:00:10
11.3 Django Reinhardt Style Phrases Example 3 00:00:17
11.4 Django Reinhardt Style Phrases Example 4 00:00:20
11.5 Django Reinhardt Style Phrases Example 5 00:00:19
11.6 Django Reinhardt Style Phrases Example 6 00:00:23
11.7 Django Reinhardt Style Phrases Example 7 00:00:08
11.8 Django Reinhardt Style Phrases Example 7 – Slow 00:00:23
11.9 Django Reinhardt Style Phrases Example 8 00:00:24
11.10 Django Reinhardt Style Phrases Example 9 00:00:14
11.11 Django Reinhardt Style Phrases Example 9 00:00:14
11.12 Django Reinhardt Style Phrases Example 10 00:00:05
11.13 Django Reinhardt Style Phrases Example 10 – Slow 00:00:12
11.14 Django Reinhardt Style Phrases Example 11 00:00:05
11.15 Django Reinhardt Style Phrases Example 11 – Slow 00:00:10
11.16 Django Reinhardt Style Phrases Example 12 00:00:05
11.17 Django Reinhardt Style Phrases Example 13 00:00:23
11.18 Django Reinhardt Style Phrases Example 14 00:00:13
11.19 Django Reinhardt Style Phrases Example 15 00:00:17
11.20 Django Reinhardt Style Phrases Example 16 00:00:12
11.21 Django Reinhardt Style Phrases Example 17 00:00:03
11.22 Django Reinhardt Style Phrases Example 18 00:00:12
11.23 Django Reinhardt Style Phrases Example 19 00:00:04
11.24 Django Reinhardt Style Phrases Example 19 – Slow 00:00:15
11.25 Django Reinhardt Style Phrases Example 20 00:00:25
11.26 Django Reinhardt Style Phrases Example 21 00:00:15
11.27 Django Reinhardt Style Phrases Example 22 00:00:05
11.28 Django Reinhardt Style Phrases Example 23 00:00:19
11.29 Django Reinhardt Style Phrases Example 24 00:00:20
11.30 Django Reinhardt Style Phrases Example 25 00:00:25
12. Django Reinhardt Style Tunes
12.1 Nuages 00:02:31
12.2 How High The Moon 00:01:58
12.3 Sweet Georgia Brown 00:02:41
12.4 Django Reinhardt Style Outro Talking 00:00:14
12.5 Django Reinhardt Style Outro Playing 00:00:50

Course Reviews

4.4

4.4
9 ratings
  • 5 stars5
  • 4 stars3
  • 3 stars1
  • 2 stars0
  • 1 stars0
  1. Jim Beller

    5

    Wow. This guy is a monster! Most people people think Bireli = Gipsy Jazz, but he’s an all-round guitar phenomena. There’s hardly any talking in this course, but it’s packed with awesome playing and original, interesting lines. I’ve been playing for many years and this is going to keep me busy for a long, long time.

  2. Wim Bakker

    4

    Not for the faint-hearted!! I can just about manage some of this at the slower speed loop setting… What a player. Seriously man.

  3. Thomas Richards

    5

    Very good course. Excellent playing.

  4. Jean Francois Durand

    5

    Amazing player, one of my favorites! It’s really nice to have one part only electric guitar and the second part acoustic manouce guitar. It’s like having two courses, great job Bireli!

  5. Michael Hoffmann

    5

    SO much material to learn! Very advanced lines, the slow down and loop mode really helped so far. Thanks a lot!

  6. Tom Miletic

    4

    Great Sound and unbelievably flashy lines! Bireli really does deliever on any level, but i whish he would explain his lines and play a bit more…otherwise very cool course. The Soundslice really helps the learning.

  7. Mike Roberts

    5

    I remember first hearing Bireli Lagrene when my teacher gave me a cassette tape of his “Standards” album. I was blown away by it! I am not a Gypsy Jazz player so the second half of this course didn’t have much use for me but the first half, which is all about Rhyhtm Changes is phenomenal. I highly recommend this course!

  8. Jose Vargas

    3

    Bireli not teaching much in this video, more showing phrases. But still a nice course.

  9. Brent Howard

    4

    Bireli will always be one of the best! There are so many examples of lines that it will take me a while to digest them let alone get them under my fingers and be able to incorporate them in my playing.

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