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TAGA Publishing präsentiert euch: “Biréli Lagrène: Voilà!”

Erlebe wie es sich anfühlt, die reiche Geschichte und Kultur des Gypsy Jazz zu reflektieren, bis hin zum modernen Bebop mit einem der legendärsten europäischen Gitarristen unserer Zeit.

Entdecke was es wirklich bedeutet, der natürliche Übergang eines zeitgemäßen Weltklasse Spielers zu sein, aber zur gleichen Zeit die Traditionen und Wurzeln des Gypsy Jazz zu respektieren. Erhalte das Beste aus zwei Welten.

Lasst euch von Biréli selbst überzeugen, dass alle Mythen über Talent und ein Wunderkind zu sein, überbewertet sind und das es einen klaren Weg für jeden gibt.

Lasst Biréli euch beweisen, dass ihr eure eigene Legende erschaffen könnt, indem ihr wisst, worauf ihr euch zu fokussieren habt und was wirklich wichtig ist. Er wird euch einen klaren Weg zum Folgen auf der Gitarre demonstrieren. Den gleichen Weg und die gleiche Herangehensweise, die er selbst benutzte, um dieses hohe Spielniveau zu erreichen.

Im ersten Teil dieses interaktiven Kurses hier bei TAGA Publishing, teilt Biréli unbezahlbare Details und geniale Methoden mit, um euch zu dabei zu helfen, den traditionellen und authentischen “Manouche” Gitarren Stil zu entdecken. Gefolgt vom zweiten Teil, in welchem euch Biréli in einen “Straight Ahead Bebop” Stil führt.

Lass Dich von einer unbestreitbaren Legende inspirieren, die Dich dazu animiert, hinter die konventionellen Methoden der Improvisation zu schauen.

Alles in unserem “Biréli Lagrène: Voilà!” Kurs wird von der neuesten “Soundslice” Technologie unterstützt, was Dir jederzeit ermöglicht, individuelle Takte zu loopen und in Slow Motion abspielen zu lassen.

Erlebe “Biréli Lagrène: Voilà!” nicht nur durch die drei hochqualitativ dargestellten Kameraperspektiven, sondern erhalte außerdem noch eine Vielzahl an PDFs der Notation und Transkriptionen in der Standard Notenschrift sowie Tabulaturen.

Be mentored by a giant like him. Discover a giant of jazz guitar history in the most authentic way possible. We at tagapublishing.com can’t thank Bireli enough for trusting us with the project and we are thrilled to present to you the most in detail blueprint to Birélis genius.

Werde von einem Giganten der Jazzgitarren Geschichte unterrichtet. Dieses Projekt ist für uns alle bei TAGA Publishing ein Traum, der wahr geworden ist. Wir können Birelli nicht genug dafür danken, dass er uns dieses Projekt anvertraut hat und wir freuen uns, Dir sein letztes künstlerische Blaupause zu präsentieren.

Course Curriculum

1. Rhythm Changes Introduction
1.1 Playing Introduction 00:01:32
1.2 Introduction by Biréli Lagrène 00:00:19
2. Rhythm Changes Basic Chords
2.1 Rhythm Changes A Section Chords 00:00:48
2.2 Rhythm Changes B Section Chords 00:00:37
2.3 Rhythm Changes Whole Tune Chords 00:01:03
3. Rhythm Changes A Section Rhythmic and Harmonic Variations
3.1 A Section Rhythmic and Harmonic Variations Introduction 00:00:05
3.2 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 1 00:00:22
3.3 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 2 00:00:24
3.4 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 3 00:00:22
3.5 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 4 00:00:22
3.6 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 5 00:00:22
3.7 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 6 00:00:18
3.8 Rhythm Changes A Section Rhythmic and Harmonic Variations Example 7 00:00:23
4. Rhythm Changes B Section Rhythmic and Harmonic Variations
4.1 Rhythm Changes B Section Rhythmic and Harmonic Variations Introduction/Example 1 00:00:31
4.2 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 2 00:00:20
4.3 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 3 00:00:22
4.4 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 4 00:00:20
4.5 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 5 00:00:22
4.6 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 6 00:00:23
4.7 Rhythm Changes B Section Rhythmic and Harmonic Variations Example 7 00:00:22
5. Rhythm Changes A Section Improvisation Examples
5.1 Rhythm Changes A Section Improvisation Examples Introduction 00:00:08
5.2 Rhythm Changes A Section Improvisation Example 1 00:00:16
5.3 Rhythm Changes A Section Improvisation Example 2 00:00:19
5.4 Rhythm Changes A Section Improvisation Example 3 00:00:21
5.5 Rhythm Changes A Section Improvisation Example 4 00:00:21
5.6 Rhythm Changes A Section Improvisation Example 5 00:00:22
5.7 Rhythm Changes A Section Improvisation Example 6 00:00:20
5.8 Rhythm Changes A Section Improvisation Example 7 00:00:21
5.9 Rhythm Changes A Section Improvisation Example 8 00:00:21
5.10 Rhythm Changes A Section Improvisation Example 9 00:00:16
5.11 Rhythm Changes A Section Improvisation Example 10 00:00:16
5.12 Rhythm Changes A Section Improvisation Example 11 00:00:19
5.13 Rhythm Changes A Section Improvisation Example 12 00:00:17
5.14 Rhythm Changes A Section Improvisation Example 13 00:00:17
5.15 Rhythm Changes A Section Improvisation Example 14 00:00:17
6. Rhythm Changes B Section Improvisation Examples
6.1 Rhythm Changes B Section Improvisation Examples Introduction 00:00:11
6.2 Rhythm Changes B Section Improvisation Example 1 00:00:20
6.3 Rhythm Changes B Section Improvisation Example 2 00:00:18
6.4 Rhythm Changes B Section Improvisation Example 3 00:00:20
6.5 Rhythm Changes B Section Improvisation Example 4 00:00:21
6.6 Rhythm Changes B Section Improvisation Example 5 00:00:17
6.7 Rhythm Changes B Section Improvisation Example 6 00:00:21
6.8 Rhythm Changes B Section Improvisation Example 7 00:00:19
6.9 Rhythm Changes B Section Improvisation Example 8 00:00:21
6.10 Rhythm Changes B Section Improvisation Example 9 00:00:18
6.11 Rhythm Changes B Section Improvisation Example 10 00:00:18
6.12 Rhythm Changes B Section Improvisation Example 11 00:00:20
6.13 Rhythm Changes B Section Improvisation Example 12 00:00:22
6.14 Rhythm Changes B Section Improvisation Example 13 00:00:20
7. Rhythm Changes Whole Tune Improvisation Examples
7.1 Putting It All Together Introduction 00:00:12
7.2 Rhythm Changes Whole Tune Improvisation Example 1 00:01:02
7.3 Rhythm Changes Whole Tune Improvisation Example 2 00:00:59
7.4 Rhythm Changes Whole Tune Improvisation Example 3 00:00:58
7.5 Rhythm Changes Whole Tune Improvisation Example 4 00:00:48
7.6 Rhythm Changes Whole Tune Improvisation Example 5 00:00:48
7.7 Rhythm Changes Whole Tune Improvisation Example 6 00:00:33
7.8 Rhythm Changes Whole Tune Improvisation Example 7 00:00:33
7.9 Rhythm Changes Whole Tune Improvisation Example 8 00:00:38
7.10 Rhythm Changes Whole Tune Improvisation Example 9 00:00:39
7.11 Rhythm Changes Whole Tune Improvisation Example 10 00:00:27
7.12 Rhythm Changes Whole Tune Improvisation Example 11 00:00:29
8. Rhythm Changes Conclusion
8.1 Outro Talking 00:00:29
8.2 Rhythm Changes Outro Playing 00:02:53
9. Django Reinhardt Style Introduction
9.1 Django Reinhardt Style Talking Introduction 00:00:07
9.2 Django Reinhardt Style Playing Introduction 00:01:06
9.3 A Brief History of the Django Reinhardt Style 00:01:16
10. Django Reinhardt Style Rhythmic Examples
10.1 Django Reinhardt Style Rhythmic Examples Introduction 00:00:11
10.2 Django Reinhardt Style Rhythmic Example 1 00:00:14
10.3 Django Reinhardt Style Rhythmic Example 2 00:00:51
10.4 Django Reinhardt Style Rhythmic Example 3 00:00:50
10.5 Django Reinhardt Style Rhythmic Example 4 00:00:25
10.6 Django Reinhardt Style Rhythmic Example 5 00:00:09
10.7 Django Reinhardt Style Muting Introduction 00:00:21
10.8 Django Reinhardt Style Muting – Rhythmic Example 6 00:00:51
10.9 Django Reinhardt Style Rhythmic Example 7 – Troublant Bolero 00:01:02
10.10 Django Reinhardt Style Rhythmic Example 8 – Troublant Bolero – Right Hand 00:00:30
11. Django Reinhardt Style Phrases
11.1 Django Reinhardt Style Phrases Example 1 00:00:13
11.2 Django Reinhardt Style Phrases Example 2 00:00:10
11.3 Django Reinhardt Style Phrases Example 3 00:00:17
11.4 Django Reinhardt Style Phrases Example 4 00:00:20
11.5 Django Reinhardt Style Phrases Example 5 00:00:19
11.6 Django Reinhardt Style Phrases Example 6 00:00:23
11.7 Django Reinhardt Style Phrases Example 7 00:00:08
11.8 Django Reinhardt Style Phrases Example 7 – Slow 00:00:23
11.9 Django Reinhardt Style Phrases Example 8 00:00:24
11.10 Django Reinhardt Style Phrases Example 9 00:00:14
11.11 Django Reinhardt Style Phrases Example 9 00:00:14
11.12 Django Reinhardt Style Phrases Example 10 00:00:05
11.13 Django Reinhardt Style Phrases Example 10 – Slow 00:00:12
11.14 Django Reinhardt Style Phrases Example 11 00:00:05
11.15 Django Reinhardt Style Phrases Example 11 – Slow 00:00:10
11.16 Django Reinhardt Style Phrases Example 12 00:00:05
11.17 Django Reinhardt Style Phrases Example 13 00:00:23
11.18 Django Reinhardt Style Phrases Example 14 00:00:13
11.19 Django Reinhardt Style Phrases Example 15 00:00:17
11.20 Django Reinhardt Style Phrases Example 16 00:00:12
11.21 Django Reinhardt Style Phrases Example 17 00:00:03
11.22 Django Reinhardt Style Phrases Example 18 00:00:12
11.23 Django Reinhardt Style Phrases Example 19 00:00:04
11.24 Django Reinhardt Style Phrases Example 19 – Slow 00:00:15
11.25 Django Reinhardt Style Phrases Example 20 00:00:25
11.26 Django Reinhardt Style Phrases Example 21 00:00:15
11.27 Django Reinhardt Style Phrases Example 22 00:00:05
11.28 Django Reinhardt Style Phrases Example 23 00:00:19
11.29 Django Reinhardt Style Phrases Example 24 00:00:20
11.30 Django Reinhardt Style Phrases Example 25 00:00:25
12. Django Reinhardt Style Tunes
12.1 Nuages 00:02:31
12.2 How High The Moon 00:01:58
12.3 Sweet Georgia Brown 00:02:41
12.4 Django Reinhardt Style Outro Talking 00:00:14
12.5 Django Reinhardt Style Outro Playing 00:00:50

Course Reviews

4.4

4.4
9 ratings
  • 5 stars5
  • 4 stars3
  • 3 stars1
  • 2 stars0
  • 1 stars0
  1. Jim Beller

    5

    Wow. This guy is a monster! Most people people think Bireli = Gipsy Jazz, but he’s an all-round guitar phenomena. There’s hardly any talking in this course, but it’s packed with awesome playing and original, interesting lines. I’ve been playing for many years and this is going to keep me busy for a long, long time.

  2. Wim Bakker

    4

    Not for the faint-hearted!! I can just about manage some of this at the slower speed loop setting… What a player. Seriously man.

  3. Thomas Richards

    5

    Very good course. Excellent playing.

  4. Jean Francois Durand

    5

    Amazing player, one of my favorites! It’s really nice to have one part only electric guitar and the second part acoustic manouce guitar. It’s like having two courses, great job Bireli!

  5. Michael Hoffmann

    5

    SO much material to learn! Very advanced lines, the slow down and loop mode really helped so far. Thanks a lot!

  6. Tom Miletic

    4

    Great Sound and unbelievably flashy lines! Bireli really does deliever on any level, but i whish he would explain his lines and play a bit more…otherwise very cool course. The Soundslice really helps the learning.

  7. Mike Roberts

    5

    I remember first hearing Bireli Lagrene when my teacher gave me a cassette tape of his “Standards” album. I was blown away by it! I am not a Gypsy Jazz player so the second half of this course didn’t have much use for me but the first half, which is all about Rhyhtm Changes is phenomenal. I highly recommend this course!

  8. Jose Vargas

    3

    Bireli not teaching much in this video, more showing phrases. But still a nice course.

  9. Brent Howard

    4

    Bireli will always be one of the best! There are so many examples of lines that it will take me a while to digest them let alone get them under my fingers and be able to incorporate them in my playing.

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